Palenque (Bàak' in Modern Maya) is a Maya archeological site near the Usumacinta River in the Mexican state of Chiapas, located at Template:Coor dms about 130 km south of Ciudad del Carmen (see map). It is a medium-sized site, much smaller than such huge sites as Tikal or Copán, but it contains some of the finest architecture, sculpture, roof comb and bas-relief carvings the Maya produced. In Second Life it is in Visit Mexico 3.
Name and etymology
The site of Palenque was abandoned by the Maya people for several centuries, when the Spanish explorers arrived in Chiapas in the 16th century. The first European to visit the ruins and publish an account was Father Pedro Lorenzo de la Nada in 1567; at the time the local Chol Maya called it Otolum meaning "Land with strong houses", de la Nada roughly translated this into Spanish to give the site the name "Palenque", meaning "fortification". (The similarity with the name of the mythical Mayan hero Ixbalanque is coincidental.) Palenque also became the name for the town (Santo Domingo del Palenque) which was built over some peripheral ruins down in the valley from the main ceremonial center of the ancient city.
An ancient name for the central core of the city currently consolidated was Lakam Ha, which translates as "Big Water", for the numerous springs and wide cascades that are found within the site. Palenque was the capital of the important Classic period Maya city-state of B'aakal or B'aak (Bone), after one of the city's most frequently occurring Emblem Glyphs.
Toponyms and associated emblem glyphs in Palenque texts
Other important locations and emblem glyphs that occur in Palenque texts include the following:
- Mat or Matal: Often spelled with the head of a cormorant, the Mat emblem glyph is used by mythological entities as well as rulers.
- Matawil or Matwiil is a mythological location likely connected to the Mat emblem glyph where important events in Palenque mythology occurred.
- Kan is the ancient name of the site of Calakmul, one of the largest cities in the Maya world. It was responsible for attacks against Palenque in AD 599 and 611.
- Sak Nuk Naah (White Skin House) — The proper name of House E of the Palace.
- Toktan: The founder of the dynasty K'uk' B'alam and other rulers use this emblem glyph.
- Ux Te K'uh: An important regional center and the polity from which K'inich Kan B'ahlam's grandfather came.
Much of the Early Classic history of the city still awaits the archaeologist's trowel. However, from the extent of the surveyed site and the reference to Early Classic rulers in the inscriptional record of the Late Classic, it is clear Palenque's history is much longer than we currently know. The fact that early ajaw (king or lord) and mythological beings used a variety of emblem glyphs in their titles indeed suggests a complex early history. For instance, K'uk' B'ahlam the supposed founder of the Palenque dynasty is called a Toktan Ajaw in the text of the Temple of the Foliated Cross.
The famous structures that we know today probably represent a rebuilding effort in response to the attacks by the city of Calakmul and its client states in 599 and 611. One of the main figures responsible for rebuilding Palenque and for a renaissance in the city's art and architecture is also one of the best-known Maya Ajaw, K'inich Janaab' Pakal (Pacal the Great), who ruled from 615 to 683. He is best known through his funerary monument, dubbed the Temple of Inscriptions after the lengthy text preserved in the temple's superstructure. At the time Alberto Ruz Lhuillier excavated Pakal's tomb it was the richest and best preserved of any scientifically excavated burial then known from the ancient Americas. It held this position until the discovery of the rich Moche burials at Sipan, Peru and the recent discoveries at Copan and Calakmul.
Beside the attention that K'inich Janaab' Pakal's tomb brought to Palenque, the city is historically significant for its extensive hieroglyphic corpus composed during the reigns of Janaab' Pakal his son K'inich Kan B'ahlam and his grandson K'inich Akal Mo' Naab', and for being the location where Heinrich Berlin and later Linda Schele and Peter Mathews outlined the first dynastic list for any Maya city. The work of Tatiana Proskouriakoff as well as that of Berlin, Schele, Mathews, and others initiated the intense historical investigations that characterized much of the scholarship on the ancient Maya from the 1960s to the present. The extensive iconography and textual corpus has also allowed for study of Classic period Maya Mythology and ritual practice.
A list of known Maya rulers of the city, with dates of their reigns:
- K'uk B'alam I 11 March, 431 - 435
- "Casper" (nickname; ancient name not translated; also known as "11 Rabbit") 10 August, 435 - 487
- B'utz Aj Sak Chiik 29 July, 487 - 501
- Ahkal Mo' Naab' I 5 June, 501 - 1 December, 524
- vacant ?
- K'an Joy Chitam I 25 February, 529 - 8 February, 565
- Ahkal Mo' Naab' II 4 May, 565 - 23 July, 570
- vacant ?
- Kan B'alam I 8 April, 572 - 3 February, 583
- Yohl Ik'nal (female ruler) 583-604
- Aj Ne' Yohl Mat 605-612
- Pacal I 612
- Sak K'uk' (female) 612-615 d. 640
- K'inich Janaab' Pakal ("Pacal II"; "Pacal the Great") 615-683
- K'inich Kan B'alam II ("Chan Bahlam II") 683-702
- K'inich K'an Joy Chitam II ("Kan Xul II") 702-711 d. 722?
- Xoc (regent for Kan-Joy Chitam II) 711?-c. 722
- K'inich Ahkal Mo' Naab' III ("Chaacal III") 3 January, 722 - after 729
- K'inich Janaab' Pakal ("Pacal III") fl. c. 742
- K'inich K'uk B'alam II 8 March, 765 - ?
- Wak Kimi Janhb' Pakal ("Pacal IV") 17 November, 799-?
Early Classic period
The first ajaw, or king, of B'aakal that we know of was K'uk Balam (Quetzal Jaguar), who governed for four years starting in the year 431. After him, a king came to power, nicknamed Gasparín by archaeologists. The two next kings were probably Gasparín's sons. Little was known about the first of these, B'utz Aj Sak Chiik, until 1994, when a tablet was found describing a ritual for the king. The first tablet mentioned his successor Ahkal Mo' Naab I as a teenage prince, and therefore it is believed that there was a family relation between them. For unknown reasons, Akhal Mo' Naab I had great prestige, so the Kings who succeeded him were proud to be his descendants.
When Ahkal Mo' Naab I died in 524, there was an interregnum of four years, before the following king was crowned en Toktán in 529. K'an Joy Chitam I governed for 36 years. His sons Ahkal Mo' Naab II and K'an B'alam I were the first kings who used the title Kinich, which means the great son. This word was used also by later kings. B'alam I was succeeded in 583 by Yok Iknal, who is supposedly his daughter. The inscriptions found in Palenque document a battle that occurred under her government in which troops from Calakmul invaded and sacked Palenque, a military feat without known precedents. These events took place on April 21, 599.
A second victory by Calakmul occurred some twelve years later, in 611, under the government of Aj Ne' Yohl Mat, son of Yol Iknal. In this occasion, the king of Calakmul entered Palenque in person, consolidating a significant military disaster, the which was followed by an epoch of political disorder. Aj Ne' Yohl Mat was to die in 612.
Late Classic period
B'aakal began the Late Classic period in the throes of the disorder created by the defeats before Calakmul. The texts written in 680s are pessimistic: "Lost is the divine lady, lost is the king." These sources also tell of some fundamental rites that were not actually done. Mentions of the government at the time have not been found.
It is believed that after the death of Aj Ne' Yohl Mat, Janaab Pakal, sometimes called Pakal I, took power thanks to a political agreement. Janaab Pakal assumed the functions of the ajaw (king) but never was crowned. He was succeeded in 612 by his daughter, the queen Sak K'uk', who governed for only three years. (See citation hereof in Spanish wikipedia.) It is considered that the dynasty was reestablished from then on, so B'aakal retook the path of glory and splendor.
The son of Janaab Pakal is the most famous of the Mayan kings, K'inich Janaab' Pakal, also known as Pakal the Great. Starting at 12 years of age, he reigned in Palenque from 615 to 683. Known as the favorite of the gods, he carried Palenque to new levels of splendor, in spite of having come to power when the city was at a low point. Pakal married the princess of Oktán in 624 and had two children.
During his government, most of the palaces and temples of Palenque were constructed; the city flourished as never before, eclipsing Tikal. The central complex, known as The Palace, was enlarged and remodeled on various occasions, notably in the years 654, 661, and 668. In this structure, is a text describing how in that epoch Palenque was newly allied with Tikal, and also with Yaxchilan, and that they were able to capture the six enemy kings of the alliance. Not much more had been translated from the text.
After the death of Pakal in 683, his older son K'inich Kan B'alam assumed the kingship of B'aakal, who in turn was succeeded in 702 by his brother K'inich K'an Joy Chitam II. The first continued the architectural and sculptural works that were begun by his father, as well as finishing the construction of the famous tomb of Pakal. Furthermore, he began ambitious projects, like the Group of the Crosses. Thanks to numerous works begun during his government, now we have portraits of this king, found in various sculptures. His brother succeeded him continuing with the same enthusiasm of construction and art, reconstructing and enlarging the north side of the Palace. Thanks to the reign of these three kings, B'aakal had a century of growing and splendor.
In 711, Palenque was sacked by the realm of Toniná, and the old king K'inich K'an Joy Chitam II was taken prisoner. It is not known what the final destination of the king was, and it is presumed that he was executed in Toniná. For 10 years there was no king. Finally, K'inich Ahkal Mo' Nab' III was crowned in 722. Although the new king belonged to the royalty, there is no reason to be sure that he was the direct inheritor direct of K'inich K'an Joy Chitam II. It is believed, therefore, that this coronation was a break in the dynastic line, and probably K'inich Ahkal Nab' arrived to power after years of maneuvering and forging political alliances. This king, his son, and grandson governed until the end of the century. Little is known about this period, except that, among other events, the war with Toniná continued, where there are hieroglyphics that record a new defeat of Palenque.
During the 8th century, B'aakal came under increasing stress, in concert with most other Classic Mayan city-states, and there was no new elite construction in the ceremonial center sometime after 800. An agricultural population continued to live here for a few generations, then the site was abandoned and was slowly grown over by the forest. The district was very sparsely populated when the Spanish first arrived in the 1520s.
Art and architecture
Important structures at Palenque include:
The Palace, actually a complex of several connected and adjacent buildings and courtyards built up over several generations on a wide artificial terrace. The Palace houses many fine sculptures and bas-relief carvings in addition to the distinctive four-story tower.
Temple of Inscriptions
The Temple of Inscriptions was begun perhaps as early as 675 as the funerary monument of K'inich Janaab' Pakal. The temple superstructure houses the second longest glyphic text known from the Maya world (the longest is the Hieroglyphic Stairway at Copan). The Temple of Inscriptions records approximately 180 years of the city's history from the 4th through 12th K'atun. The focal point of the narrative records K'inich Janaab' Pakal's K'atun period-ending rituals focused on the icons of the city's patron deities prosaically known collectively as the Palenque Triad or individually as GI, GII, and GIII.
In 1952 Alberto Ruz Lhuillier removed a stone slab in the floor of the back room of the temple superstructure to revealing a passageway (filled in shortly before the city's abandonment and reopened by archeologists) leading through a long stairway to Pakal's tomb. The tomb itself is remarkable for its large carved sarcophagus, the rich ornaments accompanying Pakal, and for the stucco sculpture decorating the walls of the tomb. Unique to Pakal's tomb is the psychoduct, which leads from the tomb itself, up the stairway and through a hole in the stone covering the entrance to the burial. This psychoduct is perhaps a physical reference to concepts about the departure of the soul at the time of death in Maya eschatology where in the inscriptions the phrase ochb'ihaj sak ik'il (the white breath road-entered) is used to refer to the leaving of the soul. The much-discussed iconography of the sarcophagus lid depicts Pakal in the guise of one of the manifestations of the Maize God emerging from the maw of the underworld. A similar scene of emergence is seen on the San Francisco Capstone which depicts an enthroned Maize God sprouting from the portal maw.
Temples of the Cross group
The Temple of the Cross, Temple of the Sun, and Temple of the Foliated Cross. This is a set of graceful temples atop step pyramids, each with an elaborately carved relief in the inner chamber depicting two figures presenting ritual objects and effigies to a central icon. Earlier interpretations had argued that the smaller figure was that of K'inich Janaab' Pakal while the larger figure was K'inich Kan B'ahlam. However, it is now known based on a better understanding of the iconography and epigraphy that the central tablet depicts two images of Kan B'ahlam. The smaller figure shows K'inich Kan B'ahlam during a rite of passage ritual at the age of six (126.96.36.199.3 9 Akbal 6 Xul) while the larger is of his accession to kingship at the age of 48. These temples were named by early explorers; the cross-like images in two of the reliefs actually depict the tree of creation at the center of the world in Maya mythology.
Temples XIX and XXI
- The Aqueduct constructed with great stone blocks with a three-meter-high vault to make the Otulum River flow underneath the floor of Palenque's main plaza.
- The Temple of The Lion at a distance of some 200 meters south of the main group of temples; its name came from the elaborate bas-relief carving of a king seated on a throne in the form of a jaguar.
- Structure XII with a bas-relief carving of the God of Death.
- Temple of the Count another elegant Classic Palenque temple, which got its name from the fact that early explorer Jean Frederic Waldeck lived in the building for some time, and Waldeck claimed to be a Count.
The site also has a number of other temples, tombs, and elite residences, some a good distance from the center of the site, a court for playing the Mesoamerican Ballgame, and an interesting stone bridge over the Otulum River some distance below the Aqueduct.
Palenque is perhaps the most studied and written about of Maya sites.
After de la Nada's brief account of the ruins no attention was paid to them until 1773 when one Don Ramon de Ordoñez y Aguilar examined Palenque and sent a report to the Capitan General in Antigua Guatemala, a further examination was made in 1784 saying that the ruins were of particular interest, so two years later surveyor and architect Antonio Bernasconi was sent with a small military force under Colonel Antonio del Rio to examine the site in more detail. Del Rio's forces smashed through several walls to see what could be found, doing a fair amount of damage to the Palace, while Bernasconi made the first map of the site as well as drawing copies of a few of the bas-relief figures and sculptures. Draughtsman Luciano Castañeda made more drawings in 1807, and the first book on Palenque, Descriptions of the Ruins of an Ancient City, discovered near Palenque, was published in London in 1822 based on the reports of those last two expeditions together with engravings based on Bernasconi and Castañedas drawings; two more publications in 1834 contained descriptions and drawings based on the same sources.
Juan Galindo visited Palenque in 1831, and filed a report with the Central American government. He was the first to note that the figures depicted in Palenque's ancient art looked like the local Native Americans; some other early explorers, even years later, attributed the site to such distant peoples as Egyptians, Polynesians, or the Lost Tribes of Israel.
Starting in 1832 Jean Frederic Waldeck spent two years at Palenque making numerous drawings, but most of his work was not published until 1866. Meanwhile the site was visited in 1840 first by Patrick Walker and Herbert Caddy on a mission from the governor of British Honduras, and then by John Lloyd Stephens and Frederick Catherwood who published an illustrated account the following year which was greatly superior to the previous accounts of the ruins.
Désiré Charnay made the first photographs of Palenque in 1858, and returned in 1881–1882. Alfred Maudslay encamped at the ruins in 1890–1891 and made extensive photographs of all the art and inscriptions he could find, and made paper and plaster molds of many of the inscriptions, setting a high standard for all future investigators to follow.
Several other expeditions visited the ruins before Frans Blom of Tulane University in 1923, who made superior maps of both the main site and various previously neglected outlying ruins and filed a report for the Mexican government on recommendations on work that could be done to preserve the ruins.
From 1949 through 1952 Alberto Ruz Lhuillier supervised excavations and consolidations of the site for Mexico's National Institute of Anthropology and History (INAH); it was Ruz Lhuillier who was the first person to gaze upon Pacal The Great's tomb in over a thousand years. Further INAH work was done in lead by Jorge Acosta into the 1970s.
In 1973 the first of the very productive Palenque Mesa Redonda (Round table) conferences was held here on the inspiration of Merle Greene Robertson; thereafter every few years leading Mayanists would meet at Palenque to discuss and examine new findings in the field. Meanwhile Robertson was conducting a detailed examination of all art at Palenque, including recording all the traces of color on the sculpture.
The 1970s also saw a small museum built at the site.
In the last 15 or 20 years, a great deal more of the site has been excavated, but currently, archaeologists estimate that only 5% of the total city has been uncovered
Palenque remains much visited, and perhaps evokes more affection in visitors than any other Mesoamerican ruin.
- Template:Aut (1963) The Palenque Triad. Journal de la Société des Américanistes, n.s. 5(52):91-99. Paris.
- Template:Aut (2005). The Mask Flange Iconographic Complex [electronic resource]: The Art, Ritual, and History of a Maya Sacred Image. Doctoral dissertation, The University of Texas at Austin. Available electronically from http://hdl.handle.net/2152/1027.
- Template:Aut and Template:Aut (2002) The Cosmogonic Symbolism of the Corbeled Vault in Maya Architecture. Mexicon Volume XXIV, No. 2, April.
- Template:Aut (1991) Iconographic heritage of the Maya Jester God. In Sixth Palenque Round Table, 1986. Virginia M. Fields, ed. pp. 167 - 174 Palenque Round Table (6 session, 1986) University of Oklahoma Press Norman.
- Template:Aut and Template:Aut (2000) Creation Redux: new thoughts on Maya cosmology from epigraphy, iconography, and archaeology. PARI Journal 1(2):1-8,18.
- Template:Aut (n.d.). The Tomb of K’inich Janaab Pakal: The Temple of the Inscriptions at Palenque (PDF). Mesoweb Articles. Mesoweb. Retrieved on 2008-02-04.
- Template:Aut (1996) Symbolic Sweatbaths of the Maya: Architectural Meaning in the Cross Group at Palenque, Mexico. Latin American Antiquity, 7(2), pp. 132-151.
- Template:Aut (1965) The Birth of the Gods at Palenque. In Estudios de Cultura Maya 5, 93-134. México: Universidad Nacional AutÛnoma de Mexico.
- Template:Aut (1976) A Rationale for the Initial Date of the Temple of the Cross at Palenque. In The Art, Iconography, and Dynastic History of Palenque, Part III: Proceedings of the Segunda Mesa Redonda de Palenque, ed. Merle Greene Robertson, 211-224.Pebble Beach, Ca.: Robert Louis Stevenson School.
- Template:Aut (1980) Some Problems in the Interpretation of the Mythological Portion of the Hieroglyphic Text of the temple of the Cross at Palenque. In The Third Palenque Round Table, 1978, Part 2, ed. Merle Greene Robertson, 99-115. Palenque Round Table Series Vol. 5. Austin: University of Texas Press.
- Template:Aut (1985) The Identities of the Mythological Figures in the "Cross Group" of Inscriptions at Palenque. In Fourth Round Table of Palenque, 1980, vol. 6, gen. ed. Merle Greene Robertson; vol. ed., Elizabeth Benson, 45-58. San Francisco: Pre-Columbian Art Research Institute.
- Template:Cite book
- Template:Aut and Template:Aut (1959) The Incensario Complex of Palenque, Chiapas. American Antiquity, 25 (2):225-236.
- Template:Aut, Template:Aut, and Template:Aut (1979) Thematic and Compositional Variation in Palenque Region Incensarios. In Tercera Mesa Redonda de Palenque, Vol. IV, editied Merle Greene Robertson and Donnan C. Jeffers, 19-30. Palenque: Pre-Columbian Art Research, and Monterey: Herald Printers.
- Template:Cite book
- Template:Aut (1991) The Sculpture of Palenque Vol. IV. Princeton University Press, Princeton.
- Template:Aut (1958) Exploraciones arqueológicas en Palenque: 1953. Anales del Instituto Nacional de AntropologÌa e Historia. Vol. 10(39):69-116. Mexico.
- Template:Aut (1956) Exploraciones en la Pirámide de la Cruz Foliada. Informe 5. Dirección de Monumentos Prehispánicos. Instituto Nacional de AntropologÌa e Historia, Mexico.
- Template:Aut (1976) Accession Iconography of Chan-Bahlum in the Group of the Cross at Palenque. In The Art, Iconography, and Dynastic History of Palenque, Part III. Proceedings of the Segunda Mesa Redonda de Palenque, ed. Merle Greene Robertson, 9-34. Pebble Beach, Ca.: Robert Luis Stevenson School.
- Template:Aut (1979) Genealogical Documentation in the Tri-Figure Panels at Palenque. In Tercera Mesa Redonda de Palenque, Vol. IV, edited Merle Greene Robertson, 41-70. Palenque: Pre-Columbian Art Research, and Monterey: Herald Printers.
- Template:Aut (1985) "Some Suggested Readings of the Event and Office of Heir-Designate at Palenque". In Phoneticism in Mayan Hieroglyphic Writing, 287-307. Albany: Institute of Mesoamerican Studies, State University of New York at Albany.
- Template:Aut (1986) "Architectural Development and Political History at Palenque". In City-States of the Maya: Art and Architecture, edited Elizabeth P. Benson, 110-138. Denver: Rocky Mountain Institute for Pre-Columbian Studies.
- Template:Aut (1992) Notebook for the XVIth Maya Hieroglyphic Writing Workshop at Texas. Austin, TX: University of Texas at Austin.
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- Template:Aut (2005) The Inscriptions from Temple XIX at Palenque. Pre-Columbian Art Research Institute. ISBN 0934051100
- Template:Aut and Template:Aut (1994) Classic Maya Place Names Studies. Pre-Columbian Art and Archaeology, 33. Washington, DC: Dumbarton Oaks Research Library and Collection.
- Maya Explorations Center.
- Unaahil B'aak: The Temples of Palenque (Wesleyan University) - Contains a learning objects program, panoramas, 3D models, and glyphs and translations.
- Mesoweb's Palenque resources
- The Tablet Of The 96 Hieroglyphs
- The Ruins of Palenque: bilingual essay with audio
- Drawings of the Palenque site from the Antonio del Rio 1784 expedition
- Estimating Palenque's population on Mesoweb (PDF)
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